From October, 2018

space, suburbia and architecture: constructing tension in film

“There is a distinct difference between “suspense” and “surprise,” and yet many pictures continually confuse the two. I’ll explain what I mean. We are now having a very innocent little chat. Let’s suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, “Boom!” There is an…

art and the everyday

If money were not object, my nursery would have been fitted with William Morris wallpaper. Strawberry Thief may have been chosen, or perhaps Seaweed or Honeysuckle. I’m sure their scrolling foliage and patterns of blossoming flowers, fruits and wildlife would have fascinated any young child. However, despite these designs not adorning my childhood walls, I…

shoes, animals, demons and music: mysteries of medieval graffiti

In recent years (the last six years or so), the phenomena of medieval graffiti has become a prominent area of discourse for medievalists. Specifically, what graffiti can reveal to us of the largely mysterious epoch and how it can perhaps debunk some of our modernly prescribed myths (‘medievalisms’) surrounding the period as a whole. Historian…

notes on maniac (2018)

[spoilers] retrofuturism and mental illness Cary Fukunaga’s Maniac (2018) is a visual journey that takes us along multiple planes of expedition. Leading separate lives in the same retro-futuristic universe, Annie Landsberg (Emma Stone) and Owen Milgrim (Jonah Hill) are involved in the latter stages of a pharmaceutical trial for a drug that strives to rid…