From April, 2019

the dizzyingly grotesque fabric of mulholland drive (2001)

Though it presents a familiar devotion to insatiability and a fervency for neo-noir that characterises Lynch’s repertoire, Mulholland Drive is considered by some the apex of his career. Lynch rather consistently produces films which are distinctly hypnotic in their half-conscious, disorientating terrain, yet these qualities are especially refined in Mulholland Drive. Essentially, Mulholland Drive emphatically presents an…

the big lebowski (1998): the slacker and the spectator

Joel Coen’s The Big Lebowski (1998) exhibits an unusual strand of comic excellence. It’s part of the 90s emergence of film noir/ comedy, with Tony Scott’s True Romance (1993), Oliver Stone’s Natural Born Killers (1994), and Coen’s own Fargo (1996) among its precursors. These films exist within a cinematic universe wherein criminality is distinguished with…